Island emergency broadcast system

Often on Twitter I will mention hearing about some local happening on the island like new coronavirus cases or massive snowfall stalling bus service. These updates come across the emergency broadcast system, or 告知放送 kokuchi hōsō. We are all familiar with speakers mounted on towers and buildings in every neighbourhood in Japan. But this is the first time I have ever had one in my house!

On a wall there is a home receiver on the left and a standard clock on the right — Emergency broadcast receiver mounted on my kitchen wall, right by the clock. (You can see the old on in the reflection on the clock)

Mounted on the wall in my kitchen is a wireless radio that beams messages from the city directly into my home. Day to day, this includes a simple time alarm: a chime played at 7am, noon, and 5pm every day (including Sundays!). Islander children are told by teachers and parents that they should always hear the 5 o’clock chime from home.

I recorded a sampling of each so you could hear:

The songs are:

07:00 恋は水色 Koi ha mizuiro or “L’amour est bleu”
12:00 壱岐市民歌 Iki City Song
17:00 夕焼け小焼け Yūyake Koyake

The last one is particularly famous, and used as a time alarm in many places in Japan.

It has been kind of strange to have this receiver in my house. Apparently they are in every house in Iki. There are no fees associated and they are maintained by the city Crisis Management Department (危機管理課) as part of Iki’s disaster plan. They have a manual you can read. The system has been in place for a while, since on the other wall there is an older version that doesn’t work anymore:

A radio-like object with metal antennae on the wall above a fridge with Nutella jars on it. — An older home receiver above my fridge

It is up near the ceiling by my fridge. The new one was installed in 2010, but that might have been when this house was built.

They have a manual posted online for operating the device. You can even get FM radio on it. There is a volume control, and you can turn them completely off, but that would defeat the purpose.

The reason for these home receivers is for public service announcements, especially in emergencies. Common ones I have heard include:

natural disasters: typhoon, wind, freezing warnings (pipes)
emergencies: fires (when they start, the location, and when they are put out), missing persons, coronavirus updates
marketing: events run by various city-related organizations (eg. Museum lectures), cancellations of events (eg. due to coronavirus)

I believe these are linked to the J-Alert network so we should get earthquake warnings. I would also expect we would get nuclear disaster warnings since there is a reactor nearby. I don’t know if we would get any type of air raid warning in case of a North Korean missile. 🤷‍♂️

On almost our first day I was shocked to hear a broadcast from the Iki police directly into my house! It was only a reminder to everyone to wear their seatbelt, but it felt a little Orwellian (I don’t think these things have a mic on them, believe me, I checked right away).

On the city website you can request a broadcast. It must use a specific template and be filed at least three days in advance. Broadcasts can be to one or more of the four towns on Iki, or the entire island. I am not sure who clears these messages, but I seriously doubt they will let me send an island-wide Happy Anniversary! to my wife next month. 😂

Emergency broadcast systems are extremely common in Japan, but this is the first time I have seen them inside of a house. Is this common on other islands, or rural areas? If you have seen this before, comment below!

Greeting the sun and moon for 2021

We turned in at about 1AM after watching 紅白 and ゆく年くる年 I roused the kids out of bed at 6am so we could drive to a spot for a view of the first sunrise of 2021. Shivering in the car we ended up at the cliffs by Sakyōbana, the crumbling heavenly pillar and well-known “power spot” on Iki. From high up on the cliff about 20 people were spread out watching across the sea to see the sun rise from behind the taller mountains of the Kyushu mainland. It was pretty cloudy, so we could only see a blotch of pink. But as the morning light brightened up we watched the wind lash waves against the rock formation known as Sakyōbana.

Shrine of the Moon God

Amaterasu is the goddess of the sun, and divine ancestor of the Emperor of Japan. We greeted her last year on a visit to Ise. She has many famous stories about her and her jerk brother Susano’o, the god of the wind. She also has a lesser known brother, who has been kind of written out of the old stories: Tsukiyomi, the moon god. Between Japan and Korea, the island of Tsushima is known as the “Sun” and Iki as the “Moon.” There are not a lot of shrines to Tsukiyomi in Japan, but Iki has an important one. In fact, the Tsukiyomi Shrine here has a sub-shrine on the grounds of Matsuo-taisha in Kyoto. We climbed the stairs to the shrine and were the only ones there as we hammered a wooden plaque number of times of our age for good luck in 2021. Here we dropped off all of our older charms from last year for burning, and bought new fuda for the kamidana in our house.

On the way back home we stopped by Sumiyoshi Shrine, our ujigami to pick up a fuda from there too. You have to have the full set stacked in the right order to protect your household. I also picked up an omikuji and got a wonderful fortune for 2021! I also got a little daruma charm for my wallet (nice mixing of Buddhism there!). Up at Tsukiyomi a few bits of snow and hail fell. While at Sumiyoshi it really started coming down!

Hail in Chad's hair — How many of those wrinkles were put there by 2020?

Back home we set up the house shrine for 2021, busted open the money envelopes with the kids, and then sat down for some osechi. Originally we had planned on being in Kyoto for New Years. As coronavirus cases started to explode, we cancelled all of our plans and just stuck to the island. Too late to make an order, my wife decided to try and make osechi from scratch. She is too embarrassed to let me show pics of the inside, but I think she did an amazing job.

あけましておめでとうございます。

今年もよろしくお願いします！

The nearly 400 year legacy of a cutting edge ceramic coffee filter

This NY Times piece on a 1,020 year old shop in Kyoto has been making the rounds online. It got me thinking about other examples of products or skills that have traversed centuries, and a random discovery we made at a shopping stall: a paperless ceramic coffee filter.

Last October we travelled to Imari and Arita, in the prefecture of Saga on the Kyushu mainland. This region of Japan is famous for its porcelain. In the 17th century, as the Ming dynasty collapsed, Chinese porcelain became a rare commodity. Around the same time a kaolinite mine was discovered in this region of Japan. The lords of the region, the Nabeshima Clan, had participated in the invasion of Korea in the late 16th century. Many Koreans were “brought over” to Japan, and the Nabeshimas found some who had the skills to make high quality ceramics competitive with mainland Asia. The Nabeshima Clan hid the potters up in a secluded valley in Arita to “protect the intellectual property” of this new money-maker, shipping finished product downriver to the port at Imari where they could be loaded onto bigger ships bound for Nagasaki and then on to the palaces of Europe.

This legacy of ceramic-work was put to use in a new way a couple of centuries later. In the late 1800s, when Japan started its process of modernization, the British came to advise on all sorts of things. They helped the Japanese engineer bridges, railways, and other infrastructure, and are the reason why cars are driven on the left in Japan. The British were also responsible for Japan’s new communication network, stringing telegraph cables throughout the country. At the time, the Brits used insulators made of glass. When it came time to replace these with newer and better ceramic insulators, the potters of Arita were called upon for their expertise.

While in Imari and Arita we visited the Kyushu Ceramic Museum and wandered the pottery stores looking at some amazing pieces of art. We even tried our hand at making some vases and painting some mugs. Getting your hands dirty trying to do pottery sure gives you a healthy respect for what the pros can accomplish!

📸 See more photos from Imari →

📸 See more photos from Arita →

Ceramic technology is of course being still used in all sorts of high tech materials applications like rocket nozzles and 3D printing. I am not sure if that is going on in Arita, but what we did discover are these cool molded ceramic coffee filters that use micro-perforations to allow the water to pass through. We bought this filter and have been using it every day for the past two months. It works a lot better than metal filters — there is very little coffee grit at the bottom of my mug when it is done — and it is more eco friendly. Plus, it looks really cool! Check out the video below. You can see the texture is kind of like volcanic rock, it feels like it is made of sandpaper.

I am sure there are many different examples of traditional skills like this transforming through the ages. If you can think of more examples from Japan or other countries, please add them in the comments!

Island of Gods, Island of Demons

According to the old stories, Iki was one of the first islands of Japan, made by the creator gods themselves. It is the island of the Moon, with Tsushima across the strait being the island of the Sun. The gods had to raise up heavenly pillars to keep the island in place. Iki is said to be home to 1200 shrines despite being only 17 km long and 14 km wide.

But gods are not the only ones that tread here.

According to different old stories, Iki was a Demon Island (鬼ヶ島). Not the one from the Momotaro story, a different one. Demons ran rampant in old Japan, and you can see the evidence today here on Iki: there is the famous Devil’s Footprint and many shrines have demon-shaped wooden dolls to keep away evil (and Mongols). But where did all the demons go? The answer to that question can be found in the traditional kites of Iki.

Images of *ondako* and demons appear everywhere around Iki.

The ondako (鬼凧) or “demon kite” is one of the symbols of the island. You can see them on the backs of tour buses, at the entrance to the museum, and they sell little versions of them as souvenirs. They are ubiquitous.

There is a kite flying festival in April, but on windy days, if you go down to Sakyobana, the north-facing cliffs, there is a group of older gentleman that fly the kites. They are quite large, and when they go up into the strong winds, they make a sort of buzzing sound that is loud. It is like one of those murder hornets, a warning.

The ondako depicts a fierce looking warrior, with upturned moustache, wearing an ornate helmet. The warrior is looking upwards, because perched on top of the helmet is the head of a demon. The story goes like this:

The hero Yuriwaka came to Iki and killed most of the demons, finally facing down their Poison King. The evil demon king attacked Yuriwaka with his massive golden club, but Yuriwaka was able to decapitate the king. The demon king’s head then flew up into the heavens to get some medicine that would help re-attach his head to his body. Meanwhile Yuriwaka hid the body, and waited for the demon head to finally die. When the Head of Poison King returned and could not find his body, the demon attacked Yuriwaka by chomping on his head! The helmet protected Yuriwaka, and soon the demon head died. Since then the people fly kites celebrating Yuriwaka’s deeds high up into the heavens as a warning to any demons who might be thinking about coming down.

Statue depicting a warrior fighting a demon — Yuriwaka fighting the Poison King, statue in downtown Go-no-ura

Negotiating the seas

It has been busy recently for Japan’s three disputed territories.

Early in October China opened a new digital museum about the Senkaku Islands, and China has had coast guard vessels near the Senkakus for a record number of days this year.

Just a few days ago the “Day of Dokdo” in South Korea was to be marked by singer Kim Jang-Hoon by holding an online concert while cruising around the islets.

Two days later Russia deployed a new missile system to the Kuril Islands during military drills.

These and more are just some of the happenings in these longterm disputes that have been drawn out for decades. Luckily there have been no clashes, and the “fighting” has been mostly taking place in the legal realm. If you are looking to get a good foundation on one or more of these conflicts, check out my review Serita Kentaro’s book The Territory of Japan: Its History and Legal Basis for BooksOnAsia.net. The review is posted on BooksOnAsia.net, check it out here → Negotiating the seas

Cover for The Territory of Japan: Its History and Legal Basis

This is my first piece for BoA, and I hope to have a couple more before the year is out.

Pure Invention

First of all, this is not really review of Matt Alt’s new book Pure Invention: How Japan’s Pop Culture Conquered the World. The book is great, it is a fun romp through Japanese history using the lens of some of its most popular products. Go get it, you will love it. What I want to do here is to engage with a specific set of ideas as presented in the book. As a pop history of Japan and a selection of Japanese products, I think this book is wonderful. But there is a (small) aspect of the book that I found jarring, and I think it comes down to the framing — “conquering the world.” The commentary below is pretty in the weeds (not to mention possibly pedantic), and assumes that you are familiar with the content of the book. So, if interested, go read the book, then come back and check this out. I’ll wait. 😉

Continue reading →

Invoking the God of Letters to fight Coronavirus

In the fight against coronavirus, some in Japan are pulling out all the stops. Kyodo reports that a temple in Kyoto recently held the Kitano Goryoe, a Shinto-Buddhist rite which hasn’t been held since since 1467. The rite originates to the 10th century, and was meant to appease Tenmantenjin (Tenjin for short), a raijin or thunder god, who rained down all sorts of terrible upon Kyoto in 903. I want to take a moment to explore a little of the history of Tenjin as I have been running into him quite often recently.

It all starts with the story of Sugawara no Michizane (845-903), a minister in the Heian Court, and a prodigy. He came from a family of scholars and was an accomplished poet. He held a number of posts including professor of literature for ten years and governorship of Sanuki province (modern day Kanagawa) for four. After that governorship he returned to Kyoto and was promoted to high court by the Emperor, who was trying to beat back Fujiwara influence in Heian at the time. In 901 Sugawara was outmaneuvered by the Fujiwara, who accused him of plotting against the throne, and he was stripped of all his offices by the new Fujiwara-backed Emperor and sent to Kyushu, far away from all the action in Kyoto.

Being “exiled” to the frontier lands of Kyushu was very disappointing for Sugawara Michizane. He made the long journey to Dazaifu, the seat of the Japanese government in the West at the edge of the Japanese realm, where he spent the next couple of years writing poetry protesting his innocence and lamenting his fate at being relegated to irrelevance. Within two years he died, age 58.

A few months later heavy rains started pouring in the capital of Kyoto. Lightning ravaged the city. Many Fujiwara clanspeople died and their houses burned to the ground by the lightning. Putting two and two together, the court appealed to the Emperor who destroyed the original exile letter of Sugawara Michizane, restored all of his offices, and then deified him as Tenjin, or Sky God.

Woodblock of Sugawara no Michizane invoking a thunderstorm from atop Mt. Tempai by Hiroshige (1797 - 1858) — Woodblock of Sugawara no Michizane invoking a thunderstorm from atop Mt. Tempai by Hiroshige (1797 – 1858)

Although a thunder god, eventually Tenjin became worshipped as a deity of poetry, scholarship, and letters, in respect to the skills of Sugawara Michizane.

Kitano-tenmangu shrine was built in 947 and backed by the government as an insurance policy against future pandemics. This is a very prominent shrine in northern Kyoto that I would pass through nearly every day on my commute when I worked at Ritsumeikan University many years ago. I have been to many festivals and events there.

Last week I was in Fukuoka, where I came upon Suikyō Jinja (水鏡神社), “Water Mirror Shrine”, built on the location where Sugawara was said to have stopped to use the local water to look at his face. Later a shrine was built there and dedicated to Tenjin, and it is said this is where the name of Fukuoka’s downtown core neighbourhood came from (I am talking about Tenjin, obviously).

Sugawara Michizane’s grave is located near Dazaifu, the seat of the old western government where he died. On his gravesite is now is the sprawling Dazaifu Tenmangū, a shrine dedicated to Tenjin.

Below is a video from last week I took of the walk from Dazaifu station, through a fairly empty shopping street, and into Dazaifu Tenmangū where a prayer ceremony is being held.

Near the Tenmangū is a museum that has many artefacts related to Sugawara Michizane, including what is said to be his carrying sword, which has been handed down to the head priest of Dazaifu Tenmangu for generations.

Note the distinct ship of the grip. This is known as a “tweezer shaped handle” sword (毛抜形太刀) and is representative of swords in that era, before the invention of the famous Japanese katana.

📸 See more photos from around Fukuoka

📸 See more photos from around Dazaifu

The news of priests in Kyoto invoking Tenjin at a temple I visited often in my twenties, stood out to me as I am here in Kyushu seeing his legacy first hand in my forties. History, whether mythical or personal, has a way of coming around. Here’s to Tenjin helping us all with coronavirus. 🙏 ⛩️

First island typhoon experience

[This is a long post. At the very bottom is a condensed list of lessons learned if you do not have the time to spare.]

Since the typhoon was due to strike on the Monday, we started shopping for supplies on Friday morning. The 9th typhoon of the season, Maysak, had just passed a couple of days ago. We deployed the rain shutters and slept all together in the large guest room, 8 tatami mats, as the wind rattled and rain battered the house. Our house is very well built, so weren’t too worried. But the next typhoon, Haishen, was supposed to be way bigger. It was dubbed a Super Typhoon.

The North Pacific typhoon season has an annual average of 30 typhoons. Of those only about eight will hit Okinawa and the southern islands, usually petering out or veering away at the southern tip of Kyushu. About three will make it further to strike at northern Kyushu, Shikoku, and Honshu.

The more I went around town to pick up supplies, the more I saw people boarding up their stores and taping their windows, and the more rumours I heard about how this was a “once in a 30 year storm” or “No! Once in a 100 years!”

Series of screenshots from a weather app showing the typhoon approaching

On Friday afternoon, the kids came home with a letter: school on Monday was cancelled due to the approaching typhoon. Things were getting serious. Haishen was massive, and the nightly news showed endlessly looped footage of historical typhonic destruction. The townspeople were getting anxious. Historically this area had never been hit bad, but with global warming, who knew what to expect? I certainly had no clue. Even though I lived in Japan for eight years, I was far from the truly destructive effects of a typhoon. Living in Kyoto and Nagoya, a typhoon to me was a massive rain storm that meant you needed to take an extra set of clothes and shoes to work, as you would likely be ankle deep in water and totally soaked when you arrived. Typhoon Number 9 hit in the middle of the night, so we barely experienced it. Although we had done some disaster prep, it felt like a practice run for Haishen who had our little island right in the sight of its menacingly calm Eye.

Continue reading →

Writing macrons on macOS and iPadOS

This is a quick tutorial on how to easily type macrons on Apple devices with a hardware keyboard. The onscreen keyboard on the iPad makes this easy, but not when you are using an external hardware keyboard.

This will be particularly relevant to academics needing to write Japanese terms in rōmaji. I searched the web and found all sorts of non-solutions, either out of date or irrelevant, so I am putting this up on the web for others to find. As of 2020, this is the best way.

Hat tip to Hiromu Nagahara on Twitter who told me the answer: set all your input sources to ABC-Extended. This allows you to use Opt+A to insert a macron before you type a vowel.

First, for macOS go to System Preferences → Keyboard → Input Sources, hit the plus button and choose ABC – Extended.

screenshot of the Input sources screen. An arrow indicates where you will see the ABC - Extended listed, and also points out to uncheck the Romaji setting for your Japanese keyboard

This used to be called US Extended, but thankfully they made the name more neutral. It won’t mess up your spellcheck settings, which are actually set in from the Text pane of the Keyboard settings. See below.

screenshot of Text Pane of keyboard settings. An arrow indicated where to set your spelling

Now you can use the Opt+A keyboard shortcut to add a macron:

Animated gif of typing "I love the colours of the kōyō at Kitano Tenmangū in Kyoto"

On your iPad you can do a similar thing. Tap on Settings → General → Keyboard → Hardware Keyboard then your language — mine is English (Canada) — and select ABC – Extended.

screenshot of Hardware Keyboard settings on iPad with an arrow indicating where to select ABC -Extended (it is at the top menu)

Now the Opt+A keyboard shortcut works on your iPad’s hardware keyboard too!

Summer Break

It is the last day of summer break. The kids’ school here on Iki had a 3 week summer holiday, shortened by the school missed in April due to coronavirus measures. Although our break was shorted by a couple of weeks, we are lucky. Some schools only got 9 days. We are also lucky to be going back to school. In my home province in Canada, some kids have not physically been at school for more than six months!

Leaving the island for some mainland adventures

We travelled back to Kyoto for Obon during the break. We visited the family grave, I picked up a charm I needed from the 10th century occultist Abe no Seimei (photos), and I also did my first “anime pilgrimage” to Omi-jingu inspired by the show Chihayafuru (photos). Other than Kyoto we spent a day in Fukuoka (photos), took a couple trips to the local beaches on Iki, and got shocked by the biggest live jumbo shrimp ever (photos and video). We had an eventful summer holiday.

Which of course meant I did almost no work…

At the beginning I was really beating myself up for not hitting my daily reading/writing goals… not checking off the chapters and watching the inbox of papers pile up. I had a good number of blog posts right up until school let out. I tried getting up extra early, and doing things before the kids got out of bed — but I was so tired out from the 42 degree heat and travel throughout the day that I needed my sleep. Plus, it was summer holidays! I realized that even though I “work from home” and keep my own hours, I am still allowed to take time off.

So I let go… played with the kids, helped them with their summer homework, painted with them, and watched some movies (including Knives Out which freaked them out a little, but it was all I had on my iPad and we had limited internet access), and made memories with them. I also got to read some books just for fun, without taking notes in my zettelkasten!

And the great thing is, while I was not stuck in the details, buried up to my eyeballs in footnotes during my daily research, my brain was still working.

Before break I was having trouble with the progress of the book. Finding the right narrative for a travelogue is tough when everyone is isolating and you cannot follow the serendipitous lifepaths of strangers you meet on the roads. In Iran it was chance meetings that allowed me to meet a both a self-declared “Islamic terrorist” and an Armenian Christian who taught me an important lesson about being a religious minority. These kinds of random encounters have somewhat dried up during the pandemic. Before the break I was struggling with the dryness of the manuscript. It was reading more like a white paper from the OECD. During the summer break I had a chance to get some distance which lead to some insight and somewhat of a breakthrough. I am excited to get back to writing, and I have learned the lesson of taking summer breaks seriously even while having lots of fun cavorting about the countryside, splashing in the ocean, making dumb jokes and laughing with my kids!

Me getting mildly sunburned on the ocean this summer